This collection of thirteen essays examines sixteenth-century type design in France. Typefaces developed during this period were to influence decisively the typography of the centuries which followed, and they continue to influence a great many contemporary typefaces. The papers' common goal is to establish the paternity of the typefaces described and critically to appraise their attributions, many of which have previously been inadequately ascribed. Such an approach will be of interest to type historians and type designers seeking better-documented attributions, and to historians, philologists, and bibliographers, whose study of historical imprints will benefit from more accurate type descriptions. The papers and illustrations focus on the most important letter-cutters of the French Renaissance, including Simon de Colines, Robert Estienne, Claude Garamont, Robert Granjon, Pierre Haultin, and also include a number of minor masters of the period.
The Palaeotypography of the French Renaissance (2 vols)
The "Vows of the Peacock" was composed in 1312 in France. One of the extant manuscripts stands out for its beautiful miniatures and scurrilous marginalia (PML, MS G24). It includes a catalogue and concordance of all Peacock manuscripts.
Edited by Eyal Poleg & Laura Light
Drawing on expertise in art history, liturgy, exegesis, preaching and manuscript studies, this volume is the first cohesive study of the layout, evolution and use of the Late Medieval Bible, one of the bestsellers of the thirteenth and fourteenth centuries.
This pioneering study approaches the new printed-book industry in Renaissance Italy from the perspective of its publishers and booksellers, analyzing their responses to the challenges of production and their creative approaches to the distribution and sale of their merchandise.
David J. Davis
This book offers a unique analysis of visual religion in Reformation England as seen in its religious printed images. Challenging traditional notions of an iconoclastic Reformation, it offers a thorough analysis of the widespread body of printed images and the ways the images gave shape to the ...
Edited by Benito Rial Costas
This volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the fifteenth and sixteenth centuries through a number of specific case studies.
Printed Pandemonium is a fresh take on one of the most violent political upheavals in early modern history: the riots, political murders and violent purifications of local governments in the Dutch Republic during the so-called ‘Year of Disaster’ 1672.
Freyja Cox Jensen
Placing the reading of history in its cultural and educational context, and examining the processes by which ideas about ancient Rome circulated, this study provides the first assessment of the significance of Roman history, broadly conceived, in early modern England.
Edited by S.K. Barker and Brenda M. Hosington
The importance of 'Renaissance Cultural Crossroads' lies in its appreciation and promotion of the multi-faceted reach of translation in Britain from the arrival of printing until the outbreak of the civil war, highlighting the impressive number and wide variety of works translated.
Edited by Bruce Gordon & Matthew McLean
This volume collects significant new scholarship on the late mediaeval and early modern Bible, engaging with the work of theologians, the devotional needs of the laity and the shape their concerns gave to the most important book of the age.
Stephen G. Burnett
The Reformation transformed Christian Hebraism from the pursuit of a few into an academic discipline. This book explains that transformation by focusing on how authors, printers, booksellers, and censors created a public discussion of Hebrew and Jewish texts.
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